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· After a timeof deep uncertainty, we are seeing an emerging desire for resurgence, growthand positivity.
· In thisissue we explore a new world order, where the authentic is celebrated throughthe breaking down of traditional rules and the creation of new values.
· In this newworld order there are no constraints, and fluidity underpins this emergingvision - high tech meets low tech, the old is combined with the new, boundariesare blurred…
· Colourbecomes paramount in defining new identities and shaping these positive visionsof the future. We see individuals and creatives expressing themselves in wayswhich have never been done before through digital environments, new beautystandards, dynamic creative processes and fantastical representations of theself.
· Whilst thereis a clear turn towards the digital and virtual world, there is also a reneweddesire for tactile and material experiences.
CONTENTS VIEWPOINT COLOUR #8 NEWHORIZONS
Key Colour Statements
Shapes by contradictory influences, the colour and design landscape hasan exciting hybridised aesthetic that marries opposing ideas: reflection andaction, individuality and collaboration, virtual and real. We are realising the need for a longer-term colourapplication that is enduring and timeless, while also recognising thatshorter-term directional colour has a clear role to play in creating fresh newstatements and personal expression.
Brutalist Beauty
Featuring work from ‘instagram’s most hated beauty account’ by EszterMagyar. Exploring new beauty standards which challenge traditional perceptionsof beauty through the unconventional use of colour, texture andmateriality.
Electric Nature
Andres Reisinger’s beautifully rendered images of natural landscapeswhich feel both otherworldly and approachable. Through these visuals,Reisinger breaks with the harsh and bold aesthetics that often characterisedigital renders.
Guerrilla Dyeing
Working with natural dyes in a way which feels fresh, rebellious and new, Audrey Louis Reynoldssteers away from the aesthetics we would traditionallyassociate with natural dyes and pigments.
Off Colour
A series of visual portraits that showcase Tomihiro Kono’s original takeon wig making. The wigs are characterised by the use of ‘off colours’ - acelebration of unconventional pastels challenging typical wig colours.
Clay Play
A compilation of clay maquettes presented for Eny Lee Parker’s clay playcontest. High-end interiors made from playdough; high-tech meets low-tech;and a celebration of colours through making.
Beneath the Surface
Photographer Pim Top overlays digital textures and images to producevisuals which challenge slick digital aesthetics and colours.
Colour Futures
Inspiration from the work of the renowned artist Samara Scott Textural with exploratory manifestations of colour, where materiality iskey.
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